East Asia, China, Qing Dynasty, ca. late 19th to early 20th century CE. A large and exquisite hand-knotted Peking wool rug adorned with traditional Chinese dragon imagery and auspicious motifs. Four clawed dragons pursue flaming orbs, their dynamic forms echoing celestial battles. The red border is richly decorated with symbolic emblems including fu bats, butterflies, infinity knots, and shou (longevity) symbols. The indigo ground features rolling white waves and cloud motifs in soft blue hues, suggesting a heavenly realm. At either end, pairs of dragons chase after flaming pearls, while a central dragon chases one of its own. In Chinese tradition, the flaming pearl symbolizes spiritual energy, wisdom, prosperity, power, immortality, thunder, and the moon. The recurring motif of dragons contesting over the pearl reflects a pursuit of power and enlightenment. Size: 230" L x 146" W (584.2 cm x 370.8 cm)'
The tradition of rug weaving in Peking (modern-day Beijing) is thought to have begun in the mid-19th century, spurred by increasing demand from Western markets. Production reached its peak between 1880 and 1920. These carpets typically feature a cotton foundation and a high-quality wool pile that takes dye exceptionally well, resulting in vivid, enduring colors. Woven with a neat, medium-density weave and Persian-style (asymmetrical) knots, the designs remain distinctly Chinese, incorporating a broad repertoire of traditional motifs and symbols. Blue and white color schemes are especially popular, while red is comparatively rare and highly prized.
This piece was owned by James Coburn, an American actor known for his roles in films like "The Magnificent Seven" and "Our Man Flint", celebrated for his distinctive voice and commanding screen presence. His residence's interior decor was a direct reflection of Coburn's profound interest in Eastern mysticism. The rooms were filled with Asian antiques, custom lighting, and intricate screens, all working together to create an atmosphere of serene elegance. This is a late 1800's piece, almost 140 years old , it has no holes, tears, solid foundation, shows wear but no white threads foundation showing, I am sure this was made by an special order because to find this size Peking in 19th century is kind of rare.
